Grethe Holby

Founder; Executive and Artistic Director; Chair of the Board of Directors at Ardea Arts in March 2006 to Present

Director/Choreographer; Collaborator New American Opera; Founding Artistic Director; at ARDEA ARTS: Opera-Out-Of-Bounds & Family Opera Initiative in January 1976 to Present

Bounce Online - Our Covid Offering at Ardea Arts in May 2020 to May 2021

Panel Member: OPERA America Symposium at OPERA America in January 2016 to January 2016

Director: The Story of Babar, the Little Elephant at Ardea Arts in January 2014 to February 2015

Co-Director: Maya’s Ark at Ardea Arts in January 2012 to November 2012

Director: Europera 5 & Socrate at Opera Stage Director & Choreographer in March 2012 to April 2012

Commissioner, Director: CAT at Family Opera Initiative in February 2010 to October 2010

Director, Dramaturge: Animal Tales at Family Opera Initiative in June 2005 to November 2008

Opera Stage Director & Choreographer; Guest Stage Director: Trouble in Tahiti at Boston University in October 2008 to October 2008

Stage Director: The Masters on the Movies at Opera Stage Director & Choreographer in March 2008 to May 2008

Stage Director: The True Last Words of Dutch Schultz at Ardea Arts in January 2006 to May 2007

Rockefeller Fellowship: The Man in the Black Suit at Opera Stage Director & Choreographer in January 2006 to January 2006

Director: The Bilitis Project at Opera Stage Director & Choreographer in January 2002 to February 2003

Director: Fireworks! at Family Opera Initiative in January 2002 to January 2002

Director, Choreographer: La Traviata at Opera Stage Director & Choreographer in January 2002 to January 2002

Founder; Executive and Artistic Director at American Opera Projects in January 1987 to December 2001

Director, Choreographer: Sir Gawain and the Green Knight at American Opera Projects in January 2001 to January 2001

Director: Electric Ordo Virtutum at American Opera Projects in January 1998 to January 1998

Director, Collaborator: Open Secrets at Rensselaer Polytechnic Institute in January 1998 to January 1998

Director, Choreographer: Memoirs of Uliana Rooney at American Opera Projects in January 1996 to January 1997

Director, Choreographer: Rigoletto, Hansel and Gretel at Opera Stage Director & Choreographer in January 1989 to January 1995

Director, Choreographer: Daughter of the Regiment at Opera Stage Director & Choreographer in January 1994 to January 1994

Director, Choreographer: Faust at Opera Stage Director & Choreographer in January 1991 to January 1991

Director: Blind Witness News at American Opera Projects in January 1990 to January 1990

Choreographer, Associate Director: Tales of Hoffmann (Michael Kaye) at Opera Stage Director & Choreographer in January 1988 to January 1988

Director, Choreographer, Designer: Carousel at Opera Stage Director & Choreographer in January 1986 to January 1986

Director, Choreographer: Animalen at Minnesota Opera in January 1985 to January 1985

Director: The Sibyl at Opera Stage Director & Choreographer in January 1985 to January 1985

Director, Choreographer: Faust at Opera Stage Director & Choreographer in January 1984 to January 1985

Choreographer, Assistant Director: Trouble in Tahiti & A Quiet Place at Houston Grand Opera in June 1983 to January 1984

Resident Choreographer and Assistant Director at Houston Grand Opera in September 1982 to June 1983

Choreographer: Bride from Pluto at The John F. Kennedy Center for the Performing Arts in January 1983 to January 1983

Choreographer: Rigoletto, La Belle Helene at Washington National Opera in January 1983 to January 1983

Director: Lo Speziale (The Apothecary) at Wolf Trap Foundation for the Performing Arts in January 1982 to January 1982

Choreographer: Summer Snow & Regina at Wolf Trap Foundation for the Performing Arts in January 1976 to January 1977