Karin Atkinson's Email & Phone Number
Founder, Director
Karin Atkinson Email Addresses
Karin Atkinson's Work Experience
Soliton Images
Writer / Director
January 2022 to Present
Soliton Images
Advisor / Mentor : Foresight / Futurist
January 2000 to Present
Transformative Technology Silicon Valley & Los Angeles
Cohort Member
September 2018 to May 2022
BAFTA Los Angeles
Selection Panel for "BAFTA Student Film Awards"
January 2004 to January 2022
Digital Mentor / Judge for Student Graduation Projects in Los Angeles
January 2016 to June 2021
Digital Mentor : Graduate Student Projects
September 2017 to May 2021
Digital Mentor: Student Graduation Projects in the LA School District & Silicon Beach Tech Zone
January 2016 to May 2021
Oxford-Hainan Blockchain Research Institute Co. Ltd
Student Mentor / Speaker : Digital Bootcamp for International Students
September 2019 to January 2020
"The Peace Project"
Contributing Artist for "The Peace Project"
September 2010 to January 2018
Tz'utujil Mayan Indigenous Art of Guatemala women's artist cooperative
Digital Mentor / Consultant
January 2012 to December 2012
Judge/Mentor for Student Short Film Contest at California Higher Education Sustainability Conference
January 2010 to January 2012
Low Carbon Holdings (Great Britain)
Co-Founder, Member of Board of Directors
January 2004 to January 2012
Low Carbon Investors Ltd
Co-Founder, Chief Technology Officer, Member of Board of Directors
January 2004 to January 2010
Shibobo Productions (original production studio South Africa)
"Shibobo" (Story/ Production Mentor: Story thru Completion - 3D animated feature)
January 2006 to January 2009
Genius Films (original production and service studio Romania)
"A Hard Life" (Story/ Production Mentor: Story thru Completion - 3D animated feature)
January 2008 to January 2009
Silk Rain Media (location China and production studio Los Angeles)
"Kingdom of Women" (Story/Production Mentor: Translation - nonFiction live-action TV documentary)
January 2007 to January 2008
Fuelture Limited
Member of Board of Directors
January 2004 to January 2007
Lower Manhattan Development Corporation and World Consciousness Centers, USA
Story, Vision, and Technology : World Trade Center Site Memorial
January 2002 to January 2004
Visual Effects Society
Member of Board of Directors (Head of Global Committee) + (Education Committee Member)
January 2000 to January 2004
Visual Effects Society
Member of Board of Directors, Head of Global Committee, Education Committee
January 2000 to January 2004
DreamWorks Classics
"Jonah" (Digital Completion Supervisor - 3D animated feature film)
January 2002 to January 2002
Consultant (Global Initiative for World Wide Innovation of New and Next Generation Technologies)
January 1996 to September 2001
Square USA, Sony Pictures Entertainment, Colombia Pictures/Tristar
"Final Fantasy Spirits Within"​ (Digital Pre-Production Consultant - 3D animated feature film)
January 1999 to January 2001
"Feature Film Investment Fund" for Storytelling with 3D Digital Technology
Member Board Of Directors
January 1999 to January 2000
VisionArt and Santa Monica Studio
"Rabbit Tales" (Digital Producer/Production Supervisor for Start-Up - 3D animated feature film)
January 2000 to January 2000
"Feature Film Investment Fund" for Storytelling with 3D Digital Technology
Story/ Production, Member Board of Directors
January 1999 to January 2000
"Feature Film Investment Fund" for Storytelling with 3D Digital Technology
Story / Production, Member Board of Directors
January 1999 to January 2000
Square USA, Sony Pictures Entertainment, Colombia Pictures/Tristar
"Final Fantasy Spirits Within" (Digital Pre-Production Consultant - 3D animated feature film)
January 1997 to January 1999
Industrial Light and Magic ~ Lucasfilm
"Frankenstein" (Digital Production Manager, start-up - 3D animated feature film)
January 1998 to January 1999
Pacific Data Images and DreamWorks Animation
"Antz" (Digital Lighting Production Supervisor, Story thru Completion - 3D animated feature film)
January 1997 to January 1998
Pacific Data Images and DreamWorks Animation
"Mousehunt" (Digital Production Manager/Supervisor - Feature Film)
January 1996 to January 1997
Rhythm and Hues for Paramount Pictures
"Star Trek: Klingon Encounter" (Digital Production Manager/Supervisor - 3D large format motion film)
January 1996 to January 1997
Fox (Film, TV & Sports), Rhythm and Hues
"Speed 2: Cruise Control" (Digital Production Manager/Supervisor - Feature Film)
January 1996 to January 1997
"Eggs of Steel" (Digital Production Man/Supervisor - 3D animated interactive video game)
January 1996 to January 1997
"Garfield" (Digital Producer, 2D cel animation, 3D digital animation & live action - TV commercial)
January 1996 to January 1997
"Serengeti" (Digital Producer, 2D cel animation, 3D digital animation & live action - TV commercial)
January 1996 to January 1997
Rhythm and Hues for IMAX
IMAX "Race For Atlantis" (Digital Production Manager/Supervisor - IMAX 3D large format ride film)
January 1997 to January 1997
Rhythm and Hues for Paramount Pictures
"Star Trek: Klingon Encounter" (Digital Production Manager/Supervisor - 3D large format ride film)
January 1996 to January 1997
Warner Brothers, Rhythm and Hues
"Batman & Robin" (Digital Production Manager/Supervisor - Feature Film)
January 1996 to January 1997
New Line Cinema LLC, Rhythm and Hues
"Spawn" (Digital Production Manager/Supervisor - Feature Film)
January 1996 to January 1997
Pixar Animation Studios and Rhythm and Hues and Disney
"Bugs Life 3D :Its Tough To Be A Bug" (Digital Production Supervisor - 3D animated short)
January 1996 to January 1997
Fox (Film, TV & Sports), Rhythm and Hues
"The X-Files" (Digital Visual Effects Producer - TV Series)
January 1995 to January 1996
Universal Pictures and View Studios
"The American President" (Digital Visual Effects Producer for opening credits - Feature Film)
January 1995 to January 1996
Beijing Film Studio
"Warrior Lanling" / "Lanling Wang" (Digital Visual Effects Supervisor - Feature Film)
January 1994 to January 1996
Shanghai film Studio
"Living Dream" / "Qian Niu Hua" (Digital Visual Effects Supervisor - Feature film)
January 1994 to January 1996
Eastman Kodak
Consultant & Writer: China Market Strategy
January 1993 to January 1996
MGM, Atlantis-Alliance and View Studio
"The Outer Limits" (Digital Visual Effects Producer - TV Series)
January 1995 to January 1996
Digital Domain 3.0
"Titanic" (Consultant in Preproduction for China location & 3D digital VFX logistics - Feature Film)
January 1994 to January 1996
MGM, Atlantis-Alliance and View Studio
"The Outer Limits"​ (Digital Visual Effects Producer - TV Series)
January 1995 to January 1996
Writer/Director of Programming "1st US-Asia Entertainment Conference" with Fox/Warner/Disney Studios
January 1995 to January 1995
Shanghai Film Festival
Writer/Producer "1st US-China Film Industry Conference" (Shanghai / Los Angeles)
January 1994 to January 1995
Sundance Film Institute
"Sundance Film Festival" (Beijing China/Los Angeles/Park City)
January 1994 to January 1995
First Asian Para Games (International Olympic Committee and International Paralympic Committee)
Writer/Consultant "1st Asian Paralympic Games" (Beijing China)
January 1994 to January 1995
Paws, Inc (Jim Davis's company)
"Garfield" Consultant / Mentor as Chief China Market Entry Strategist (Beijing/Hong Kong)
January 1994 to January 1995
Global Effects with Vietnam Ministry of Culture
"Vietnam" (Writer & Director for PreProd & Location Scout - Documentary TV series)
January 1993 to January 1994
Canadian Embassy in Beijing, China
Embassy of Canada To China, Cultural Relations Coordinator for Radio, Film & TV
January 1990 to January 1993
Sony Corporation HD Research Center Tokyo Japan
Writer and Researcher High Definition, Holographic and Laser Scanning Systems
January 1989 to January 1990
Atlantis Films, CBS, MGM TV, London Film Productions, Persistence of Vision Films
"The Twilight Zone" (2nd Unit Director, digital VFX & Post Production Supervisor - TV series)
January 1988 to January 1989
Atlantis Films, CBS, MGM TV, London Film Productions, Persistence of Vision Films
"Destiny To Order" (optical & digital VFX/Post Supervisor - Feature Film)
January 1988 to January 1989
Atlantis Films, CBS, MGM TV, London Film Productions, Persistence of Vision Films
"Ray Bradbury Theater" (Preproduction only VFX/Post Supervisor at Atlantis Films - TV series
January 1988 to January 1989
Atlantis Films, CBS, MGM TV, London Film Productions, Persistence of Vision Films
"Glory! Glory!" (consulting VFX/Post Supervisor - Feature Film)
January 1988 to January 1989
Atlantis Films, CBS, MGM TV, London Film Productions, Persistence of Vision Films
"Where The Spirit Lives" (Post Production Supervisor at Atlantic Films - Feature Film)
January 1988 to January 1989
Atlantis Films, CBS, MGM TV, London Film Productions, Persistence of Vision Films
"Kurt Vonnegut's Monkey House" (PreProduction only VFX/Post Supervisor at Atlantis Films- TV series)
January 1988 to January 1989
Member of the Board of Directors, Post Production Representative (new technology education)
January 1986 to January 1989
Landmark Entertainment Group, Ventura Pictures Inc and Mattel
"Captain Power & the Soldiers of the Future" (CG VFX and Post Production Supervisor - TV series)
January 1987 to January 1988
Paragon Motion Pictures and Home Box Office (HBO)
"Philip Marlowe, Private Eye" (1st Assistant Post Production Coordinator, TV series)
January 1986 to January 1986
Nelvana for L.A. Films and HBO
"¡Three Amigos! " (Visual Effects Animation and Rotoscope Artist, Feature Film)
January 1986 to January 1986
Universal TV and Michael Sloan Productions
"Alfred Hitchcock Presents" (1st Assistant Post Production Coordinator - TV series)
January 1985 to January 1986
New Wilderness Productions
"New Wilderness" (Production & Post Prod Coordinator -live action non-fiction Documentary TV series)
January 1985 to January 1986
2D Animation QC/VFX Artist/Oxberry Multiplane Motion Control Camera Tech - TV series
January 1983 to January 1985
Nelvana with Lucasfilm
"STAR WARS" (Assistant To Director, Story thru Completion - TV series)
January 1984 to January 1985
"The Carebear Movie" (Assistant To Director, Story thru Completion - Feature Film)
January 1985 to January 1985
Crawley Films
2D Animation QC Supervisor/VFX Artist/Oxberry Multiplane Motion Control Camera Tech - TV series
January 1982 to January 1983
Atkinson Film Arts and Triple Seven Concepts
"The Legend of Hiawatha" (Quality Control Supervisor, VFX Artist, Oxberry Camera Tech - TV series)
January 1982 to January 1983
Atkinson Film Arts
Animation Quality Control Supervisor, VFX Artist, Rotoscoping, B/G Matte Painter - TV series
January 1980 to January 1983
Atkinson Film Arts - segments "Harry Canyon" and "B-17"
"Heavy Metal" (VFX Artist, Optical Painter, Rotoscoping, B/G Painter, Matte Painter - Feature Film)
January 1980 to January 1981
Atkinson Film Arts
"Curious George" (VFX Optical Artist, Rotoscope, Background Painter, Matte Painter - TV series)
January 1980 to January 1980
Soliton Images
Foresight Futurist Mentor + Tech Storyteller (AI, Transformative Tech, VFX/Animation, 360 XR/VR/AR)
Soliton Images
Digital Mentor / Judge for Student Graduation Projects in Los Angeles
Soliton Images
Foresight Futurist Mentor in Technology and Story
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Karin Atkinson's Education
Beijing Film Academy / Beijing Film Studio
January 1990 to January 1993
Beijing Technology and Business University
January 1991 to January 1992
Beijing Language and Culture University
January 1989 to January 1990
Carleton University
January 1982 to January 1984
Algonquin College of Applied Arts and Technology
January 1980 to January 1982
Unama'ki College at Cape Breton University
January 2016 to January 2017
Beijing Language and Culture University
January 1989 to January 1990
Carleton University
January 1980 to January 1983
Ottawa Collegiate Institute of Technology: High School of Commerce and Fine Art
January 1978 to January 1980
The Levantine Cultural Centre for Arts and Peace
January 2008 to January 2009
Beijing Film Academy / Beijing Film Studio
January 1990 to January 1994
Beijing Technology and Business University
January 1991 to January 1992
Chinese Academy of Sciences
January 1990 to January 1991
Beverly Hills Lingual Institute
January 2007 to January 2008
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Frequently Asked Questions about Karin Atkinson
What is Karin Lisa Atkinson email address?
Email Karin Lisa Atkinson at [email protected]. This email is the most updated Karin Lisa Atkinson's email found in 2024.
How to contact Karin Lisa Atkinson?
To contact Karin Lisa Atkinson send an email to [email protected].
What company does Karin Atkinson work for?
Karin Atkinson works for Soliton Images
What is Karin Atkinson's role at Soliton Images?
Karin Atkinson is Advisor / Mentor : Foresight / Futurist
What is Karin Atkinson's Phone Number?
Karin Atkinson's phone (**) *** *** 259
What industry does Karin Atkinson work in?
Karin Atkinson works in the Entertainment industry.
Karin Atkinson's Professional Skills Radar Chart
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Karin Atkinson's Estimated Salary Range
Karin Atkinson Email Addresses
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Karin Atkinson's Personality Type
Introversion (I), Sensing (S), Feeling (F), Perceiving (P)
Average Tenure
2 year(s), 0 month(s)
Karin Atkinson's Willingness to Change Jobs
Unlikely
Likely
Open to opportunity?
There's 96% chance that Karin Atkinson is seeking for new opportunities
Karin Atkinson's Social Media Links
/in/karin-lisa-atkinson-a2489869 /school/%e5%8c%97%e4%ba%ac%e7%94%b5%e5%bd%b1%e5%ad%a6%e9%99%a2/ /company/the-transformative-technology-lab